Awards: 2005 Institute Honor Award for Architecture
Recipient: Patkau Architects
Project: Shaw House; Vancouver, BC, Canada
Client: John Shaw; Vancouver, BC, Canada
Photo: Paul Warchol
 

   
 
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2007 JFR Spotlights 27 Projects

 

The AIA Academy of Architecture for Justice (AAJ) selected 27 projects in March for publication in the 2007 Justice Facilities Review, eight of which received citations for architectural and design excellence. The projects and their architects will be published in September 2007 and become part of a traveling exhibit that will tour the country throughout the year.

The Justice Facilities Review offers the profession an indicator of proven strategies and the latest trends in the design and construction of justice facilities in the United States. The jury chooses projects for publication that demonstrate quality of form, functionality, and current architectural responses to complex justice design issues. Jury chair Laurence E. Hartman, AIA, of HDR Architecture, Chicago, writes: “The Justice Facilities Review Jury was pleased to have several high-quality submissions representing projects in all areas of criminal justice—from a single-purpose facility to a multifunctional complex. . . . These projects exemplify a level of design quality that is exceptional and will serve as worthy examples for fellow architects or practitioners in justice.”

The jury comprised representatives from the justice, architecture, and government sectors who reviewed newly constructed facilities ranging from courthouses to forensic laboratories to maximum-security prisons:

  • Ron Mason, FAIA, of AndersonMasonDale Architects, Denver
  • The Hon. Lewis Babcock, chief judge of the U.S. District Court, Denver
  • Nick Seierup, AIA, NCARB, LEED AP, principal at Perkins+Will, Los Angeles
  • Sgt. Pat McAree of the Los Angeles Police Department
  • Andrew M. Cupples, AIA, principal at DMJM Design, Orange, Calif.
  • Jeff Beard, PhD, secretary of corrections for the State of Pennsylvania

The jury recognized the eight projects featured below with citations of excellence.

 

ADAMS COUNTY COMMUNICATIONS CENTER
Commerce City, Colo.

Architect’s Statement
This addition and remodel to an emergency call center facilitates better communications and call dispatching services by providing the staff with a secure, calm, and comfortable environment that is supplemented by natural daylight and a variety of spaces for respite. The 6,545-square-foot addition is designed to house a new dispatch center, support space, offices, and lounge. The addition's L-shaped organization is reinforced by a secure masonry exterior and a naturally daylighted zone that activates the space between the existing building and the addition. The massing and masonry modulation of the existing building is referenced and reinterpreted in the addition on both the exterior and interior. Natural daylighting is maximized by clerestory lighting and diffused natural light from the south and west lobbies and lounge areas. The simplified geometry, honest structural expression, and natural material palette combine to create an environment that has a calming influence on the high stress emotions of the dispatcher.

Owner: Adcom 911 Inc., Commerce City, Colo.

Architect: Roth + Sheppard Architects, Denver

Design-build architect : Adolfson and Peterson Construction Company Inc., Aurora, Colo.

Photographer: Ed LaCasse, LaCasse Photography, Denver

 

BRONX COUNTY HALL OF JUSTICE
Brooklyn, N. Y.

Architect’s Statement
The image of the courthouse in society was of primary concern in the design of the building. The program is organized in a linear manner around an open civic space and layered from public to private, with the public circulation, animated by a series of antilevered stairs, facing the open space. Within the courtyard sets a free-standing public building that serves as the jury assembly room, gives scale to the space, and is the symbolic as well as formal focus of the project. The exterior wall design responds to the various functions within and orientations of the building. The curtain wall facing the south and west takes the shape of a folded plane with integrated light shelves that reflect light into the courtrooms and shade the adjacent corridor. The intent is to express the building as open and inviting, a metaphor for the transparency of the judicial process.

Owner: City of New York, Department of Citywide Administrative Services

Architect: Rafael Vinoly Architects, New York City

Associate architect: DMJM + Harris, New York City

Photographer: Paul Warchol, New York City

 

DAVENPORT U.S. COURTHOUSE RENOVATION
Davenport, Iowa


Architect’s Statement
The mission of this project was to restore, renovate, and convert a treasured National Register multiple-tenant federal building and courthouse into an expanded U.S. Courts dedicated facility. Continued criminal caseload growth, poor inmate transportation and security, insufficient space to expand court operations, and an aging infrastructure rendered the historical building inadequate. The program included upgrading and restoring the historic courtroom; adding two new courtrooms, support space, and three new judges’chambers; expanding court-related offices; and adding new prisoner holding facilities and new secure judges’ parking. The design removes previous renovations, exposes and restores significant original interior features, and introduces a textured glass wall paralleling the original public lobby beyond which two new courtrooms and support space are inserted. The courthouse renovation preserves and restores key historic interior features; provides a high level of functionality; responds to separation of public, restricted, and secure circulation; and gives contemporary interior treatment to space outside those identified for restoration.

Owner: U.S. General Services Administration, Heartland Region, Kansas City, Mo.

Architect of record: Downing Architects, Bettendorf, Iowa

Design architect: Leonard Parker Associates (part of the Durrant Group), Minneapolis

Managing architect: The Durrant Group, Hartland, Wis.

Photographer: Don Wong Photo Inc., Bloomington, Minn.

 

PLYMOUTH PUBLIC SAFETY BUILDING AND CITY HALL
Plymouth, Minn.

Architect’s Statement
Responding to the city's need to provide additional area for the Public Safety Department and an enclosed garage for police vehicles, we took a step back and planned the entire municipal site. The incorporation of these programmatic elements with the existing City Hall unifies the complex and supports the natural setting. The secured squad garage is built under, and into, the natural “bowl,” reserving additional city park area as well as providing a necessary security separation of police and staff vehicles. The landscape articulates and supports this gesture through native plantings and low stone walls. The main entrance to the Public Safety Department and City Hall is unified by a singular new entrance and lobby. The new Public Safety Department space is a seamless addition to the existing building and the
new public lobby connects the original Public Safety Department and City Hall elements and
gives the resultant structure a new civic presence.

Owner: Plymouth Public Safety Building and City Hall, Plymouth, Minn.

Architect: Boarman Kroos Vogel Group (BKV Group), Minneapolis

Photographer: Paul Crosby, St. Paul

 

SAN FRANCISCO JUVENILE HALL REPLACEMENT PROJECT
San Francisco

Architect’s Statement
The new Juvenile Justice Center is a state-of-the-art, 150-bed secure detention facility that replaces the existing facility on the same site and creates a new public identity for juvenile justice. It provides five housing types for program and management flexibility. Each of the eight direct supervision housing units includes program and activity spaces for staff efficiency, safety, and security. Unit designs vary according to classifications—single sleeping rooms for high-security classifications and double rooms for the general population. Environmental quality, abundant natural light, and artwork integrated into the design lessen tensions and assist staff in managing the population.

Owner: City and County of San Francisco

Architect: The Design Partnership, San Francisco

Associate architect: Del Campo and Maru Inc., San Francisco

Design-build architect: S. J. Amoroso Construction Co. Inc., Redwood Shores, Calif.

Photographer: Bernard Andre Photography, Woodside, Calif.

 

SNOHOMISH COUNTY JAIL EXPANSION
Everett, Wash.

Architect’s Statement
The county jail expansion’s form and appearance are drawn from its unique setting and overarching goal to improve conditions for staff and inmates. The county’s decision to jointly operate the new downtown facility with an existing, adjacent jail was combined with an urban planning strategy that created a multiple-block civic campus. The project’s overall massing and details complement these public spaces. Key to the design concept was a city zoning variance dictating the jail expansion should not “look like a jail.” Its fritted-glass curtain wall façade achieves this in two ways: by obscuring typical concrete walls and narrow jail window patterns during the day and creating ethereal and unexpected patterns of diffused light from cells at night. By including video visitation facilities and secure connections between the separate jail buildings and courts, the facility offers safer inmate movement for staff and increased inmate availability for attorney and family visits.

Owner: Snohomish County, Everett, Wash.

Architect: NBBJ, Seattle

Design-build architect: Mortenson, Bellevue, Wash.

Photographer: Frank Ooms, Denver

 

WAYNE LYMAN MORSE U.S. COURTHOUSE
Eugene, Ore.

Architect’s Statement
The Wayne Lyman Morse U.S. Courthouse in Eugene, Ore., serves the District of Oregon as part of the Ninth Judicial Circuit. The four-acre site is the previous home of the Agripac cannery plant and is regarded by the city as an impetus for redeveloping the surrounding area with civic and commercial development. Rising 22 meters high, the 24,805-square-meter courthouse has five stories above grade and one level of below-grade parking. The first two floors hold offices for the courts, the U.S. Attorney, probation and pretrial services, the U.S. Marshals Service, the U.S. General Services Administration, two U.S. senators, and one member of the U.S. House of Representatives. The building's six courtrooms, all on the third floor, are paired by their purpose—two District, two Magistrate, and two Bankruptcy courtrooms. Above the courtroom level, there are six judges’ chambers, one visiting judges’ chamber, and two separate judicial library spaces.

Owner: U.S. General Services Administration, Auburn, Wash.

Architect: DLR Group, Portland, Ore.

Design architect: Morphosis, Santa Monica, Calif.

Photographer: Tim Griffith, San Francisco

 

WILKIE D. FERGUSON JR. U.S. FEDERAL COURTHOUSE
Miami

Architect’s Statement
The building is composed of three elements: two opposing towers and a glass "crystal" that mediates. There are four courtrooms on each of the upper floors, grouped around a central circulation space punctured by a cone-shaped atrium. The east and west façades are composed of alternating concave and convex curtain wall “bay” windows surrounded by precast stone frames. The alternating rhythms, depths, and colors of the horizontal and vertical sunshades frame the blue-green tinted glass. The primary material for the north and south façade of the tower is the same precast stone used to frame the curtain wall, providing solidity to the elevations. The monumental windows are arranged horizontally and vertically, each orientation and fenestration unique, reflecting the hierarchy between office space and courtroom functions. The architecture is meant to reflect the importance of what goes on inside making the building a recognizable icon both day and night.

Owner: U.S. General Services Administration, Region 4, Atlanta

Architect: Arquitectonica, Miami

Associate architect: Hellmuth, Obata + Kassabaum Inc., Miami

Photographers: Robin Hill and Norman McGrath, Miami